When it comes to heritage, most people are not interested in saving the memory of their ancestors. On the other hand, there are special places where everybody can come and reconnect with their past, understand another way of living, and participate in interactive shows that enable the other culture to realize the other culture more deeply than ever before. The museum offers online trips throughout a significant part of their sculptures and another state of arts. In addition, the description is usually made using the essay form, which enforces the impressions after visiting the museum. Eventually, some of the major art examples are worth being analyzed and introduced to the audience.
Ritual-Similar Furniture
To start with, most of the small African wooden states of art recall spiritual ones, so that it is crucial to understand how to determine the standard furniture pieces and the genuine spirit-based objects. In most countries, gold is considered to increase the object’s value, but this notion is false in African countries. Only by looking more attentively at the Cameroonian throne visitors might find expensive materials such as cowrie, presented through beads and shells. More specifically, at some stage of the nation’s development, the country accepted this material as a popular means of payment. Venetia, Dutch, Bohemia, and Portugal used their glass beads to make the commerce relationships with African countries. In addition, Babum kingdom representatives who wore beads illustrated a symbol of living rich because local authorities strictly controlled the manufacturing of beads, such as central banks of different countries do now with the fiat money. At some point, this state of art might be used during the rituals when Fon, the local king of Bamileke, would like to give some presents for the foreign delegations.
Uncommon chair from Angola, Democratic Republic of the Congo, and Zambia
Turning to this state of the art, it was created by Lunda, who controlled the territory from Angola to the Democratic Republic of the Congo from the end of the 18th and until the beginning of the 19th century. When analyzing their art, it is impossible to neglect and ignore the furniture, especially chairs, since it represents the luxurious status of a person who possessed them. Like Chokwe and Ovimbundu, the Lunda were often asking neighborhood groups to make some furniture and other objects of art for themselves, which represents the impossibility of distinguishing one culture from another. Even though many chairs are similar, Lundas’ chair differs from other states of art due to its interesting carving style and folding joints, which were adapted concerning Western traditions. These chairs might also be used to be a present or simply furniture for foreigners.
Babankis’ Iron Mask
The mask was designed and created at the end of the 18th century and was a crucial distinction between rich and poor people. More specifically, the mask is made full of metal and symbolizes the bearer’s rank among Babanki. Even though many groups created masks in Africa, this mask differs from other models due to headgear with four more heads. In addition, the mask was used in everyday life to demonstrate the individual’s status in society, which was close to the highest rankings. In spiritual life, this mask might be used after the sunset to enforce the effect of joint dancing near the fire.
In conclusion, the University of Iowa Stanley museum contains a significant number of different states of art from exotic countries. Moreover, the museum’s quality is also proven due to the presence of an electronic version, provide with essay details underneath each model. Consequently, three African exhibits that might be used in some period as spiritual attributes were analyzed as the everyday things used nowadays to demonstrate personal status.