Introduction
In Anton Chekhov’s “Lady with a Lapdog,” the title seems to be a straightforward reference to Anna, the female character who is frequently seen with her Pomeranian pet. However, upon closer analysis, it becomes evident that the ‘lapdog’ in the title may also represent Dmitri Gurov, the male protagonist who becomes infatuated with Anna. Gurov, a chronic philanderer, enters into an affair with Anna and finds himself unexpectedly and entirely captivated by her, to the extent that he could be metaphorically considered Anna’s lapdog.
Why Gurov Is Anna’s Pet
Firstly, Gurov’s status as Anna’s ‘lapdog’ is reflected in his constant pursuit of her. Despite his initial intention of a short fling, Gurov finds himself unable to detach himself from her. He follows her from Yalta to Moscow, a journey prompted not by necessity but by his longing for her (Chekhov). This is akin to the behavior of a lapdog that follows its owner wherever they go out of affection and dependence.
The metaphor is further reinforced by the power dynamic between the two characters. Gurov, who holds a condescending view towards women, uncharacteristically finds himself in a position of vulnerability with Anna. His emotional dependence on her becomes evident in his internal struggle when he realizes his deep feelings for her (McGarry). In contrast to his previous affairs, Gurov is not in control of this relationship. He becomes subservient to his emotions, similar to a pet that is dependent on its owner for care and attention.
Moreover, Gurov’s transformation throughout the story also supports this metaphor. The initial Gurov is a somewhat cynical and dismissive character, viewing his affairs as mere distractions from his unhappy marriage. However, his relationship with Anna causes a shift in his character. He begins to question his views on love and women, ultimately leading to a deeper introspection of his life (Gould). This transformation can be likened to a lapdog’s obedience towards its owner, reflecting the changes in his behavior and attitudes under Anna’s influence.
Gurov’s status as Anna’s ‘lapdog’ is also highlighted in his feelings of isolation and despair when separated from her. He is unable to find solace in his old ways and is tormented by her absence. His desire for her companionship and the fear of losing her mirrors the anxiety a pet might feel when separated from its master.
Finally, Gurov’s actions and thoughts towards the end of the story solidify his role as Anna’s ‘lapdog.’ His decision to confess his love to Anna and his willingness to bear the societal consequences of their relationship demonstrate his complete surrender to his feelings for her (Chekhov). He is ready to give up his freedom, much like a pet who willingly accepts a collar for the sake of being with her.
Conclusion
In conclusion, Gurov, in Chekhov’s “Lady with a Lapdog,” is a poignant representation of a man who, despite his dismissive views towards women, becomes emotionally enslaved to the woman he loves. His constant pursuit of Anna, his emotional dependence on her, his transformation under her influence, and his willingness to risk societal norms for her all resemble the characteristics of a lapdog faithfully following its owner. Therefore, Gurov can indeed be considered the metaphorical ‘lapdog’ in the title, signifying his role as Anna’s devoted lover.
Works Cited
Chekhov, Anton Pavlovich. The Lady with the Dog and Other Stories. DigiCat, 2022.
Gould, Rebecca Ruth. “Enchanting Literary Modernity: Idris Bazorkin’s Postcolonial Soviet Pastoral.” Modern Language Review 115.2 (2020): 403-426.
McGarry, Jean. “”The Joy of the Rus’”: Literature and Food.” The Hopkins Review 14.1 (2021): 88-97.