Introduction
Leonardo da Vinci’s The Last Supper and Tintoretto’s The Last Supper are two renowned paintings depicting the same biblical event. Yet, they exhibit stark differences in their utilization of light, which largely reflects their respective eras.
Light in da Vinci’s Painting
In Leonardo’s work, light is used realistically and naturally, emanating from a single source – the window behind Christ. The light illuminates the room and the figures evenly, creating a calm and solemn atmosphere. It serves to highlight the facial expressions and gestures of the disciples, which are key elements in conveying the narrative of the painting (Kleiner, 2022). Leonardo’s use of light exemplifies the High Renaissance’s emphasis on harmony, balance, and realism.
Light in Tintoretto’s Work
In contrast, Tintoretto’s The Last Supper, painted during the Mannerist period, uses light more dramatically and symbolically. The light in Tintoretto’s painting is supernatural and ethereal, originating from an unseen source above and from the halo of Christ. This usage of light creates a mysterious and dynamic atmosphere, enhancing the spiritual and emotional intensity of the scene (Kleiner, 2022). The light draws attention to Christ, reinforcing his divine nature and central role in the event.
Comparison of Artistic Use of Light
The shift in the use of light from Leonardo to Tintoretto reflects broader changes in art during this period. The High Renaissance was an era of perfection and idealization, with artists striving to achieve a harmonious balance between light and shade, known as chiaroscuro. However, the following Mannerist period was characterized by a more emotional and expressive style (Kleiner, 2022). Artists began to experiment with light, color, and perspective to evoke strong emotional responses from viewers.
Conclusion
While both Leonardo’s and Tintoretto’s paintings depict the same biblical event, their differing uses of light reflect their respective periods’ distinctive philosophies and styles. Leonardo’s naturalistic use of light reflects the High Renaissance’s emphasis on harmony and realism, while Tintoretto’s dramatic light effects embody the emotional intensity and spiritual focus of the Mannerist era.
Reference
Kleiner, F. S. (2022). Gardner’s art through the ages: A concise global history. Cengage Learning.