Many literary works, books, songs, and poems touch on the controversial theme of death. Do not go gentle into that good night‘s actual significance lies in the crude force of its real feelings. Thomas utilizes the work to address his perishing father, mourning his dad’s deficiency of wellbeing and strength and empowering him to stick to life. Abstract figures of speech utilized in the literature incorporate the refrain type of metaphor, consonance, and simile.
Thomas applies the metaphor “good night” being an implication for death. Consonance and similar-sounding word usage are additionally huge players in reinforcing the tone. Thomas employs a metaphor in the line: “Blind eyes could blaze like meteors and be gay” (Thomas, 2021, line 14). When those grave men are close to death, however, they cannot see. They make an honest effort to see the world. The artist thinks about the blind eyes of grave men to meteors rather than dousing candles. This correlation is not well-coordinated, and the writer intentionally utilizes this badly coordinated examination to address older adults’ demeanor towards death. In the end, they realize they will die; they recognize with sparkle easily and consider much as they can before dying.
The repetition of sound, hence, consonance, recreates the effects of the tone of the poem. Similar sounding word usage happens in solid ‘g’ in “go gentle and good” and n sound in “not” and “night.” In the primary line “do not go gentle into that good night,” the similar-sounding word usage here is utilized to point out the words which convey the similar-sounding word usage, accordingly, giving extraordinary accentuation to these words (Thomas, 2021, line 1). Night has an unfortunate underlying meaning, and the writer adds a descriptor decent to adjust this sort of adverse consequence. In the words “blinding, ” “blaze,” and “be,” the rehashed ‘b’ sound reverberations in a sense or which means passed on by the two lines (Thomas, 2021, lines 13-14). The association among these three words frames a differentiation: older men use what they need to seethe against death. In the last part: “Curse, bless me now with your fierce tears,” the reiteration of the ‘s’ sound comprised consonance (Thomas, 2021, line 17). The sound adequately joins the watchwords of this line and builds up the speaker’s temperament to ask his dad to battle against death. The work of consonance word usage here underscores the subject of the poem.
The most noticeable hyperbole is, by all accounts, a simile. The likeness is that the end will come regardless of what people do. Despite this, it is better and more fun battling that unavoidable day as far as possible. The night is a magical finish, and it addresses demise, while the day is the life expectancy of one’s life, and it addresses life. In the subsequent lines, the representation of night as death proceeds, yet the artist utilizes dim, which is firmly identified with night as an analogy for death (Thomas, 2021). In the third stanza, “the sun in flight” is a lengthy analogy wherein the day is a circle of life, and the flying of the sun addresses the positive side of life (Thomas, 2021, line 10). In addition, the line addresses life is short and transient. The literature piece depends on exceptional symbolism, a lightning bolt that is not forked or parted by the expressions of old men. The writer’s voice is contending that elder individuals do not wish for death too early.
At the end of the reflection, this poem has a reference to a nearing death and the importance of valuing each moment in life. Elements such as metaphor, consonance, and simile support the central theme of unavoidable but faithful death. Thomas implies that being near death appears to make it feasible for older people to have an extraordinary disclosure. Indeed, even in death, they can live to a full extent and satisfy all their wishes.
Reference
Thomas, D.M. (2021). Do not go gentle into that good night. Web.