Introduction
The challenge of gender roles has always been discussed in many societies, and people continue debating these days. “We Shall Meet Again” by Zhou Shou-juan, “At the Paris Cinema” by Shi Zhecun, and Shanghai Baby by Wei Hui describe the complexity of female nature and show self-confidence through the woman representation. Even though the characters’ lives are different, the strength of their will is high and mighty, making them positive role models.
“We Shall Meet Again”
In “We Shall Meet Again,“ the portrait of a female has an independent form where the character refuses to accept the traditional norm and tries to break the standards. She follows her desires and dreams to avoid a boring life as a mother or wife (Shou-juan, 2019). Ambitions will allow her to achieve the set goals. Moreover, she stays resilient in adversity by displaying her physical and mental strength.
“At the Paris Cinema”
Similarly, in “At the Paris Cinema,” the female figure is shown as a confident character who takes charge of her life and does not look at people’s opinions. This allows her to make quick and correct choices and be less afraid of challenges or societal pressure (Zhecun, n.d d.). Gender norms do not terrify her as she dictates her unique rules that state freedom and help her follow her dreams.
Shanghai Baby
Nevertheless, CoCo in Shanghai Baby is shown as a seductive and enigmatic figure who expands societal norms by showing her sexuality and taking control of her desires. In most cases, her goals contradict the culture of China (Hui, 2001). When she faced criticism from her surroundings, her desire to change social gender roles increased, making the character more powerful and influential in the modern world.
Conclusion
In conclusion, all female figures in the three stories are portrayed as complicated but multidimensional characters who want to change the rules and norms to improve the role of gender. Progressive thinking of the figures can empower more women to increase their independence and self-esteem. The experience shown in the stories is unique these days, and it is essential to take the knowledge of the past to destroy stereotypes.
References
Hui, W. (2001). Shanghai Baby. (B. Humes). Constable Publishers.
Shou-juan, Z. (2019). We shall meet again. Bulleting of Concerned Asian Scholars, 8(1), 13-19. Web.
Zhecun, S. (n. d.). At The Paris Cinema. The Short Story Project. Web.