Influence of Identity on Character Interactions
Gender highlights the power disparities and repressive dynamics in the characters’ relationships, affecting their interactions. As a victim of domestic abuse, Loureen is subjected to her husband Samuel’s domination and control (Nottage, 1993). The play’s depiction of gender-based violence sheds light on the systematic problem of abuse by intimate partners and the challenges encountered by women in such circumstances. The activities that took place off-stage that we read about, namely, Loureen’s choice to confront her violent husband, show the transformational power of gendered experiences (Nottage, 1993). The path of Loureen shows how she went from being silent and subservient to finding her voice and reclaiming her agency.
Symbols and Objects Reflecting Identity
Certain symbols and items in “Poof!” reflect the gender identities of the characters and the power relationships that go along with them. The most noticeable indication is the absence of Loureen’s spouse, Samuel, and the ensuing heap of ashes left behind (Nottage, 1993). This represents eliminating a patriarchal male figure who represents authority and control. The metaphor of the ashes can be used to represent the freedom and empowerment of women in the face of oppression based on gender.
Representation of Marginalized Experiences
The drama also examines the standards and expectations that society has for women. The larger issues of gender roles, expectations, and the restrictions placed on women in society are resonant with Loureen’s experiences as a wife and her struggle to leave an abusive marriage.
The play examines the limitations of women’s options when faced with economic inequalities as well as the expectations that society places on them. The quote “women have no other options than to submit to more economically powerful men” provides insight into the dynamics of choice described in gender studies (Ryan, 2017, p. 173). Loureen finds herself in a predicament where she relies financially on Samuel (Nottage, 1993). It is implied that Loureen has no agency and has little choice except to submit to Samuel’s rule. Due to her lack of economic power, she is constrained to a position of vulnerability, and it is challenging for her to escape the oppressive cycle.
References
Nottage, L. (1993). Poof!. Broadway Play Publishing Inc.
Ryan, M. (2017). Literary Theory: A Practical Introduction (How to Study Literature), 3rd Edition. Wiley-Blackwell.