In the poems “On being Brought from Africa to America” by Phyllis Wheatley and “On the Emigration to America and Peopling the Western country” by Philip Freneau, a few similitudes and differentiations are portrayed. First, taking a gander at the similarities, the two writers discuss a place known for trust, which set to flourish and clear out segregation of its face no matter the social variety in the land. The two writers discuss an undertaking that both go about as a gift and carry the desire to them all, targeting reestablishing and working on their internal identities and convictions. In her sonnet “On Being Brought from Africa to America,” Phyllis discusses emerging from the place where there are agnostics and observing comfort in Christianity in the new land, which resembles a demonstration of opportunity away from the agnostic existence of Africa (Loving 67). Philip Freneau, then again, has likewise envisioned the new ground as a spot that can deliver comfort and thriving as opposed to Europe, where foul play is overflowing and at its pinnacle.
Then again, the two writers’ most broadly differentiating perspective on this land is treachery. Phyllis Wheatley draws out an occasion of shameful perspectives exposing the oppression of individuals of color in this land. They are peered downward on, subjugated, and seen as no better than creatures (Loving 67). Philip Freneau’s “On the Emigration to America and Peopling the Western nation” views that this is a place with equity and persecution in European culture, rather than being found in this new land set to beat the subjugation allotted to different societies. Phyllis censures bias, prejudice, and bondage, portraying them as a bad habit in this land. Phyllis’ “On Being Brought from Africa to America” attempts to conform to her kindred subjugated Africans and recognizes how subjection and treachery against her kindred blacks are overflowing (Loving 67). Going against the norm, Philip has put subjugation decisively on Europe’s shoulders and is taking off from it and desires to track down the opportunity in the place known for America. The sonnet tells us of the brutality in Europe by the crown and the option in America appearing differently from the perspectives of the leading artist who portrays the lousy form in America.
Work Cited
Loving, MaryCatherine. “Uncovering Subversion in Phillis Wheatley’s Signature Poem: “On being brought from AFRICA to AMERICA.” Journal of African American Studies, vol. 20, no. 1, 2015, pp. 67-74.