Deeper Message of Some Like It Hot Revealed in the Final Scene
Some Like It Hot, directed by Billy Wilder, is a classic American comedy film. An example of a scene from a movie is the final moment when both main characters reveal their true identities. During the film’s plot, Sugar falls in love with Joe, and when he confesses everything to her and says that she deserves better, she continues to love him despite his confession. At the same time, in contrast to the romantic scene, Wilder complements it with a comedic component in which Osgood agrees to marry Jerry, ignoring that he is a man, saying, “Well, nobody’s perfect” (Wilder 02:00:45-02:00:50). This supports Barber’s point that people were ready for change. Society began to accept them much more quickly than before.
The Film Director’s Contributions to Cinema
Billy Wilder significantly contributed to American cinema by combining genres into one work of art. The contrast between the turning of a dream into reality and its subsequent disappointment highlights how Wilder continues to make absurd situations comical (Baird). Vertigo is similar to Some Like It Hot in that the character also falls in love with a non-existent image (Ebert). Modern films rarely do things “the Wilder way,” but one example is La La Land, directed by Damien Chazelle. It can be attributed to the legacy of Wilder, as this film combines several genres that were not originally customary to combine.
Background and Personality of the Film Star, Marilyn Monroe
From what the writers said, I am interested in the difference in their opinions since Kashner focused on highlighting some unknown aspects of the personality and revealing the secrets of Monroe. On the other hand, Steinem’s article focuses on Monroe’s talent, which is particularly interesting in the context of the societal pressure she faced. These texts are contrasted by the fact that they set a different tone for the story, as one author praises the actress, while the other, conversely, attempts to reveal the secrets of her past. In Steinem’s case, her opinion remains relevant today, as women continue to struggle with objectification in cinema.
Works Cited
Baird, Robert. ‘Vertigo’ Love, Desire, the Image, and the Grave. Images Journal. n. d. Web.
Dzenis, Anna. Billy Wilder: The Chiaroscuro Artist. Senses of Cinema. 2002. Web.
Ebert, Roger. Vertigo. Roger Ebert. 1996. Web.
Wilder, Billy. Some Like It Hot. United Artists, 1959.