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Trisha Brown’s “Accumulation”: Postmodern Minimalism and Movement Seriality in Dance

Minimalism

Trisha Brown’s “Accumulation” is a significant postmodern cultural creation in American dance history. Thus, the author embodied in her performance some important and integral characteristics of this direction. First of all, the imperative aspect is minimalism, which manifests itself in movements. This element is noticeable throughout the dance as Brown’s movements are predominantly recitative and do not contain any complex structures. Alternate swings of the arms and, in some cases, legs create a restrained picture of the dance and do not allow any other elements (Arthur Marques).

Routine Motions

The seriality and everydayness of movements are also an example of the manifestation of postmodernity in dance. Trisha Brown presents elements that look like walking or gesturing, which can be classified into the mentioned category. With their help of them, the author gives the dance significance by gradually complicating the movements. Throughout the dance, this is manifested in the fact that the arms swing can be supplemented with new elements with the movement of the pelvis and the completion of the final combo for the arch (Arthur Marques). Thus, this represents the name of the dance, “Accumulation,” clearly reflecting its essence in what the dancer does.

Special Features

American postmodernism can often include certain improvisations that complement the dance composition. However, in Brown’s movements, a clear structure and consistency makes this dance stand out from the style. The choreographer complemented this style by introducing extraordinary swings and turns. This resonates with pedestrian movements that create a sense of intimacy with the audience and thus create greater engagement in the process.

Lack of Emotions

At the same time, an important feature that makes “Accumulation” similar to postmodernism is the refusal to display emotions and narrative. In this regard, the dancer does not change his facial expression throughout the entire introduction and maintains his emotional state at the same level.

Works Cited

Accumulation – Trisha Brown.” YouTube, uploaded by Arthur Marques. 2009. Web.

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StudyCorgi. (2025, June 1). Trisha Brown’s “Accumulation”: Postmodern Minimalism and Movement Seriality in Dance. https://studycorgi.com/trisha-browns-accumulation-postmodern-minimalism-and-movement-seriality-in-dance/

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"Trisha Brown’s “Accumulation”: Postmodern Minimalism and Movement Seriality in Dance." StudyCorgi, 1 June 2025, studycorgi.com/trisha-browns-accumulation-postmodern-minimalism-and-movement-seriality-in-dance/.

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StudyCorgi. (2025) 'Trisha Brown’s “Accumulation”: Postmodern Minimalism and Movement Seriality in Dance'. 1 June.

1. StudyCorgi. "Trisha Brown’s “Accumulation”: Postmodern Minimalism and Movement Seriality in Dance." June 1, 2025. https://studycorgi.com/trisha-browns-accumulation-postmodern-minimalism-and-movement-seriality-in-dance/.


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StudyCorgi. "Trisha Brown’s “Accumulation”: Postmodern Minimalism and Movement Seriality in Dance." June 1, 2025. https://studycorgi.com/trisha-browns-accumulation-postmodern-minimalism-and-movement-seriality-in-dance/.

References

StudyCorgi. 2025. "Trisha Brown’s “Accumulation”: Postmodern Minimalism and Movement Seriality in Dance." June 1, 2025. https://studycorgi.com/trisha-browns-accumulation-postmodern-minimalism-and-movement-seriality-in-dance/.

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