Introduction
The documentary genre is a way for me to learn about real events. I think the artistic framing of stories allows one to convey the idea of the importance of events to a broad audience. At the same time, I understand that documentary filmmakers can add new facts to the story that give the film more action. I accept the conventions of documentaries that are necessary to build an interesting story for viewers.
Attractive Features of the Film Genre of Documentaries
The work of documentary filmmakers is impressive and vital because such films deal with socially essential or historical events. A documentary film can be an effective tool for raising awareness about a social problem or the plight of a particular person (Mutibwa, 2019). This work has an educational value, as it speaks about complex issues in an expressive cinematic language. Documentary filmmakers are forced to do painstaking work with the participants in the events, the actors, and the re-creation of the setting.
The documentary is a synthesis of the art of cinema and a socially important statement. Such pictures teach viewers essential details of the modern world or historical development. The directors remain within the art of cinema, which makes them constantly keep the audience interested in what is happening on the screen (Mutibwa, 2019). Artistic assumptions are justified by the compulsion to work for a mass audience. Moreover, the authors can soften the events because of the tragedy of the real story.
Conclusion
In conclusion, documentaries are at the intersection of art and social expression. The themes of documentary filmmakers are the stories of people, historical events, and problems of the modern world. Through cinematic language, documentarians achieve educational goals and raise public awareness. The synthesis of the two areas of creativity allows documentary filmmakers to add artistic details to the film to increase the audience’s interest.
Reference
Mutibwa, D. H. (2019). Cultural protest in journalism, documentary films and the arts: Between protest and professionalization. Routledge.