Almost from the story’s first lines, Gregor appears to be a tedious and shallow philistine with no interests of his own. However, later it turns out that he is a compassionate person who loves art and is in dire need of the love and approval of his loved ones. Another striking feature of the character is his self-criticism. He is aware of the limitations of his horizons and soberly understands that this is the result of his “chronic employment” (Kafka 14). Strongly contrasted against this limited interests, education, and humanity in his relatives, who, thanks to Gregor’s efforts, have enough time to devote to his development.
Gregor’s transformation is the consequence of the hero’s loss of his individuality, sacrificed to others. The lack of social and personal life leads to the disappearance of the salesman Zamza, and then his death is noticed only by his boss. It is noteworthy that if finding himself in such a deplorable situation, Gregor did not revolt; it means that “he would never have done so in human form” (Kafka 69). Transformation is deliverance for the protagonist, not a punishment.
Contrary to the title, the transformation is not shown in the story. Instead, Kafka describes the fate of characters unable to change truly, even after recognizing their problems. Thus, observing the neglect of his kin, the protagonist forgives them everything and sacrifices himself for their well-being. Not once does he fully express his protest, even in his thoughts, although during the time he spent in the body of an insect, he was able to consider the real essence of his relatives. Gregor only changes his appearance but remains himself for the rest of his life. His attitude toward his family does not change, and he has retained his humanity, which cannot say of the rest of his family.
Work Cited
Kafka, Franz. The metamorphosis. Schocken Books, 1948.