Although hyperrealism is a recent art form that sprang from earlier trends, it may also be created with standard art materials. This comprises charcoal, ink, graphite, paint, and clay. To make a realistic replica of an image, hyper-realistic sculptors and painters have traditionally utilized images as a reference. These pieces, in my opinion, are an extension of highly high-resolution photos. The shapes, regions, and forms in the foreground of an image are often depicted in the frontal plane of the canvas in hyperrealistic paintings. It amazes me when works contain more depth than what is found in nature, demonstrating how intriguing and uncommon a particular genre’s side is.
Hyperrealism’s direct opposite, however, is grounded in reality and serves to contrast and complement it. One of the most unconventional and divisive movements in modern art is conceptualism. The core notion of conceptualism is that ideas that go into creating an artwork come before the finished product. The positions produced by this movement raised doubts about the concept of art itself. Because this movement rejects the predominant modernist momentum, I can relate to it. Particularly radical was the dismissal of the importance of aesthetic beauty in art.