Introduction
The 1992 Sally Potter film Orlando is an example of an intersection of multiple genres that are integrated to deliver complex philosophical ideas. The film director creates a unique style of motion picture that strikes viewers with colorful and impressive costumes. The looks created for the lead actress are essential for the film because they emphasize the personal characteristics of the main character, historical periods, and Orlando’s transformation. The style and gender depiction of the movie coincided with the purpose of delivering feminist ideas.
Main body
The interpretation of gender as a concept evolves throughout the film and is transformed with similar time transformations. Indeed, the director crosses the conventional lines separating genders and dividing the time frames. Beautiful and meticulously created costumes underline the extravagant atmosphere of the movie and demonstrate the beauty of the main actress, regardless of her character’s gender identity. The idea that time and gender are the things that can be altered provides creative opportunities for the author to convey the message of subjectivity behind attitudes. The change in Orlando’s gender identity has a two-fold meaning to the film, which renders the feminist perspective. On the one hand, Orlando, the man, has the power of being a landowner but feels unhappy and miserable because of unanswered love and failures in poetry. However, Orlando, the woman, is deprived of power and influence but finally becomes a whole fulfilled personality filled with feelings and personal accomplishment. Thus, feminism unfolds as a controversy between male and female identities that predetermine the social and personal life of a human being.
Conclusion
Overall, the visual aspect of the motion picture Orlando plays an essential role in the creation of a unique style where the most unexpected transformations are possible. The changes in time and the main character’s gender are reflected in the costumes and interiors of the film, which helps to unfold the character development. From a feminist perspective, the film blurs the lines between genders to demonstrate that gender attitudes are subjective.
References
Potter, S. (Director). (1992). Orlando [Film]. Adventure Pictures
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