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The Pre-Raphaelite Movement Representatives

It should be noted that Loreena McKennitt’s music, as well as her personality, embodies a sense of mysticism when it comes to her artistic expression. One of the core elements of her presented values and themes is nature, where the latter acts as a form of unique spirituality. In other words, animism and appreciation for nature are the most symbolic aspects of her artistic works. In the case of the Pre-Raphaelite movement, it was first popularized by Dante Gabriel Rossetti and John Ruskin in England between the 1850s and 1890s. The movement also had a strong love for nature and mystical aspects of the natural order. The depictions and imageries of women among Pre-Raphaelite movement members were the templates from which Loreena McKennitt derived a great source of inspiration. For example, in accordance with the movement, red-haired women were depicted as dangerous, frightening as well as strange, and mystical. In addition, the members of the brotherhood were highly interested in medieval rituals and magic. Loreena McKennitt is a prime embodiment of what the Pre-Raphaelite saw and perceived as a strong, mystical, and nature-loving woman.

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Among the contemporary artists, Aurora’s artistic works and expressions have strong elements of the Pre-Raphaelite movement. For example, her song “Runaway” also presents a mystical and strong woman with the characteristics valued among the group of interest. There are evident elements of mysticism and closeness to nature, but the imagery is more Nordic due to the singer’s cultural identity. Other musical works also have elements of the search for ancient societies, such as Ancient Egypt in “Exist For Love.” In addition, her rather recent song called “Giving In To The Love” is highly representative of the Pre-Raphaelite movement, where sceneries and context focus on nature.

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