Introduction
Music has been a significant part of people’s lives for almost the entirety of human existence, and it has an incredible influence on people nowadays. For some, music is a way to express themselves, and for others, it is a way to find a connection with people or concepts. The song “Good, Good Father” can serve as both as it concerns the notion of God, a topic that many people feel passionate about and that spikes plenty of emotions.
“Good, Good Father” and its Impact
After a listen, this song strikes me as tender and deeply emotional, permeated with the presence of a strong belief. It carries a notion that everyone is loved by God equally, and it gives courage and hopes to listeners because God is the answer to all struggles. Society continuously develops, so it is natural to assume that with the passage of time, new differential factors with occur, such as sexuality and gender (Cover, 2018). Therefore, the idea that a person deserves to be loved despite being different from the societal norm is most likely to be prominent 500 years from now. It would make sense that this song will carry the same meaning and the same affectionate feeling of hope it currently provides in the future.
The value of this work could be estimated by determining the meaning of music. Ultimately, it serves as a connection; however, what kind of connections it creates is a diverse subject (Myrick, (2021). Therefore, the value of this cultural work is the value that one can derive from it for themselves. For example, it could be the idea of supporting others in hard times or the realization that they should allow themselves a moment of reprieve.
Conclusion
In conclusion, the song “Good, Good Father” by Christ Tomlin represents a piece of media that aims to bring peace and unity to people’s spirits. It provides a sense of hope and support for people despite their differences. These notions and feelings are this song’s values and impacts that are potent nowadays and will be potent in the future due to society’s rapid development.
References
Cover, R. (2018). Emergent identities: New sexualities, genders and relationships in a digital era. Routledge.
Myrick, N. (2021). Music for others: Care, justice, and relational ethics in Christian music. Oxford University Press.