Bennett, A. (2020). Woodstock 2019: The spirit of Woodstock in the post-risk era. Popular Music and Society, 43(2), 216-227. Web.
This article describes the historical retrospective of the festival, focusing on the events that caused it. The researchers’ main conclusion is that despite its apparent apolitical nature, the Woodstock slogan contained a political program. The protest against the Vietnam War, voiced by Jimmy Hendricks, has shaped the ideology of a generation that ten years later led to a détente between the United States and the Soviet Union. Thus, this study fits the theme, revealing the political aspect of the topic and explaining the motives behind the festival’s creation.
Lovesey, O. (2020). Pop art at Woodstock: Sha Na Na. Popular Music and Society, 43(2), 158-162. Web.
In this study, scholars conclude that despite the repetitions, Woodstock did not leave a scandalous reputation but became a symbol of unity of people of the same ideology and culture. However, they emphasize that Jimi Hendrix’s performance singing the U.S. anthem was scandalous. This step created multiple problems and was criticized by the political elite of America. Numerous saw it as a protest against the country’s actions toward Vietnam. This article is related to the project’s theme as it focuses on the personality and activities of Jimi Hendrix, particularly in the context of the Woodstock Festival.
Ramsey, J. (2019). Peace, love, and politics: How Woodstock of 1969 epitomized the relationship between social movements and music. Digital Commons, 4, 23-26.
This study analyzes music’s role in social movements in the United States, focusing on Woodstock as a turning point. Viewing Woodstock 1969 through an academic lens, the authors illustrate the inextricable connection between music and politics, particularly through social movements. They have emphasized the historical relationship between music and politics and explained their interconnectedness. The article is relevant to the chosen topic because it directly focuses on Woodstock and demonstrates the features of the festival that caused its worldwide fame.
Wijaya, A. J. (2020). The Anti-War Movement through Romanticism of the Hippie Culture on Vietnam War 1965-1973. Jurnal Hubungan Internasional, 11(2), 295.
This study is mainly about the characteristics of the generation of young people who participated in the festival. The authors conclude that the festival became a global phenomenon because it expressed the sentiments of the first postwar generation, who did not know hunger and war, whih was far from colonial ideas. Moreover, Woodstock reflected the hopes of baby boomers and directly expressed the masses’ idea that war was unacceptable. Thus, the article allows one to understand the sentiments of the people who created the festival. It reveals the actual motives of the festival slogans, which are directly related to the topic.