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The Role of Christianity in “The Chronicles of Narnia”

This complete book set by Harper Collins published in 1998 is a masterpiece story line for children. The story is set in the fantasy world of Narnia, a dreamland of enchantment, legendary monsters, and talking creatures. It portrays the undertakings of different youngsters who assume focal parts in the unfurling history of the Narnian world. The heroes of the care are called upon by the lion Aslan to shield the realm from evil. The books range the whole history of Narnia, from its creation in The Magician’s Nephew to its inevitable obliteration in The Last Battle.

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At the same time, while dissecting the book with a sociological eye, we locate that the account of Narnia and Aslan is additionally a not at all subtle Christian story. Thus, the goal of the research is to discover Christian qualities in the novel The Chronicles of Narnia. The thesis of the paper is that the storyline contains a few models which reference huge scriptural ideas as manifestation, execution, and revival.

Aslan’s story compares point by highlighting the narrative of Jesus Christ in the holy book. Jesus was depicted as God in a human structure and was consequently both ‘genuinely god’ and ‘manifest’, like Aslan. The book of scriptures likewise clarifies the passing of Jesus as an extremely fierce and awful method of biting the dust, being attached to a cross and being left to kick the bucket while all evil is there to observe (Bell 12). Additionally, Aslan was attached to the stone table, shoved and kicked, and afterward slaughtered by the sword of the witch before the entirety of her devotees (DeWalt 25). At that point ultimately, Jesus Christ was restored on the third day after his passing, as depicted in the sacred texts. Aslan was additionally restored not long after his passing and at last cuts down the powers of malevolent, similar to the account of Christ and the ruin of Satan.

Beside the connection among Aslan and Jesus Christ, the book additionally depicts different accounts of the Christian execution story is extremely unpretentious manners. For example, when Lucy and Susan are at the stone table after the demise of Aslan, the table starts to break and Aslan vanishes (Wilson, 2008). This scene echoes the feelings of Mary Magdalene and different ladies who attend[ed] the burial chamber of Christ just to think that its vacant” (Hanesová et al. 215). This scene was critical as it not just depicts the idea of revival and the feelings of the ladies, however it gave the youthful watchers the conviction that something great and unadulterated could be set upon by the detestable forces of the world.

Another inconspicuous relationship between the book and Christian stories is when Lucy, a name Lewis provided for her dependent on the character’s clarity, first finds the universe of Narnia. At the point when she imparts the finding to her three kin, none of them trusts her. However she understands what she saw and demands its reality despite the brutal prodding her sibling Edmund gives her (Koterski 392). This compares to the experience of disclosure of a genuine supporter. Lucy addresses the genuine Christian adherent who, whenever having discovered Aslan/God, puts her trust as aimlessly and totally in him as humanly conceivable.

In conclusion, The Chronicles of Narnia is a decent differentiation to the advanced manners by which the mainstream society of the western world has gotten dominatingly Post-Christian. This corresponds with the thesis of the paper meaning that the Collins addresses several religious notions in his work. The book acquaints the younger generation with the religious ramifications of the occasions of Christian history with relatable characters in a period where such thoughts were losing their importance.


Hanesová, Dana, et al. “Developing Religious Thinking Using C. S. Lewis’s Chronicles of Narnia.” The Journal of Theology, no. 2, 2019, pp. 207–230.

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Bell, Robert H. “Inside the Wardrobe: Is ‘Narnia’ a Christian Allegory?” Commonweal, vol. 132, no. 22, 2015, pp. 12–14.

DeWalt, Lora. “An Examination of Children’s Literature Scholarship on Religion.” Journal of Children’s Literature, vol. 44, no. 1, 2018, pp. 21–32.

Koterski,, Joseph W. “The Chronicles of Narnia and Philosophy.” International Philosophical Quarterly, vol. 46, no. 3, 2006, pp. 390–392. Web.

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