At the beginning of the XX century, great artists like Kazimir Malevich reinvented visual art, as it was believed there were no other directions it could evolve to in a conventional manner. It is doubtful that contemporary art has given up the idea of the importance of the form and only prioritizes the message behind it. The art of dance clearly demonstrates it. The era of technological development poses the vital question of whether technologies while enriching a performance conflict with the idea of the dance and choreography itself.
It is fair to claim that dancing has applied technologies throughout history, but people no longer call costumes and decorations innovative. In that sense, anything that allows contemporary artists to express themselves, based on choreography as the Quickzotic Fusion does, is the art of dance. It does not matter if artistic needs require nothing but pastel tights or, on the contrary, they demand a unique location, lighting, or even a smell. One could ask themselves where the margin of the dance can be drawn. Quickzotic Fusion is an excellent collaboration of different artistic genres, and its novelty may expand our understanding of aesthetics. The criteria here is that the dance must stay the essential part of a performance and, more importantly, must be able to survive without all the extra expressionist tools.
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As for the comment, the author believes that broadly speaking, technologies favorably influence dancing, though they take away some artistic aspects. The latter is especially interesting as it poses the question of whether there is an aesthetic limit: a space that may be fulfilled by various tools or pure choreography. Nevertheless, according to the author, a light application of the Quickzotic Fusion enriches the form. In a way, the dance of light is also a form of dance – probably, at the age of technology, one must expand their understanding of choreography.